In the exhibition titled , artist Dadaz explores how emojis, as modern symbols, can deepen our understanding and communication with each other. This show builds on his previous work from the exhibition, advancing the conversation about how emojis can facilitate profound connections and mutual understanding among individuals. Through his art, Dadaz invites viewers to reflect on the simple question "Fine. Thank you, and you?" and share their personal experiences and emotions, making their responses a crucial part of the exhibit's ongoing dialogue.
이번 개인전 에서 다다즈 작가는 이모지를 현대적 기호로 사용해 우리의 소통 방식을 탐구합니다. 이전 전시 에서 선보인 이모지 작업을 발전시켜, 이번 전시에서는 이모지를 통한 소통이 인간 간의 깊은 연결과 이해로 확장될 수 있음을 보여줍니다. "Fine. Thank you, and you?"라는 질문을 통해 작가는 관람객이 자신의 경험과 감정을 나누고 전시에 적극 참여하도록 유도합니다. 이 과정에서 소통의 깊은 의미를 되새기며, 각자의 대답이 전시의 다음 단계를 이끌어내는 중요한 열쇠가 됩니다.
DADAZ strives to remain open to new fields and projects, ultimately leaving a lasting impact as an artist who created culture alongside DADAZ fam. Together, they embarked on a shared journey of discovering new values.
The DADAZ project was launched by presenting NFT artworks as gifts to acquaintances, with distribution of the 888 pieces ongoing to this day. As the number of recipients (DADAZ Fam) increased, multi-layered communities formed, expanding rapidly through the creation of secondary works and offline meetups.
DADAZ's work is characterized by the "eyes, nose, and mouth" motif. Three white lines are casually drawn downwards, with black rice-shaped dots on both sides representing pupils, stimulating imaginative expressions. This motif serves as a signature element in every picture. Another sculptural element is the "spell," a free curve arranged in one to five lines on the background of every screen. It's not a special sentence, but DADAZ’s spell is like an another language in a state of “trance." It contains DADAZ's warm heart, which thinks of the recipient of the picture (DADAZ Fam). Ultimately, the spell becomes a "bridge" linking individuals.
Rondi Park examines the extremely personal traces surrounding desires and expands the category to popular sympathy and social phenomena. The artist who collects fragments of desire seething in a capitalist society and develops them into various media - such as painting, textiles, performance, and ceramics - develops her own narrative using the constantly reproduced desires as a medium.