PBG presents a group exhibition that weaves together four distinct perspectives, titled Visual Picker from Friday, September 20 running through October 20, 2024 This exhibition brings together the stories and emotions collected through the unique viewpoints of four artists: Hansol Noh, Jeonghwa Min, Rondi Park, and Eve Suh. From gouache, acrylic, and ink on Korean paper to spray paint, clay, and glaze, various materials come to life through the hands of each artist. We invite you to anticipate the inspiring artistic moments that will emerge from the variations in these diverse mediums.
Visual Picker, a group exhibition that weaves together four distinct perspectives will open on Friday, September 20, at PBG Hannam. This exhibition brings together the stories and emotions collected through the unique viewpoints of four artists: Hansol Noh, Jeonghwa Min, Rondi Park, and Eve Suh. From gouache, acrylic, and ink on Korean paper to spray paint, clay, and glaze, various materials come to life through the hands of each artist. We invite you to anticipate the inspiring artistic moments that will emerge from the variations in these diverse mediums.
Hansol Noh focuses on cognition, perception and the structures through which they circulate, and observes the gap between information and images that we encounter in our daily lives. She works mainly with the Korean painting medium - jangji (Hanji), and works by soaking the jangji with paint and layering it as a transparent ground.
Jeonghwa Min’s ‘Ma-eum (Hearts)’ series is a series of works that record forgotten, hidden, or neglected hearts. The artist, who pursues the neat beauty of abstract and geometrical rules, continues to work on still life of hearts by capturing inner scenes that require continuous cares and processing.
Rondi Park examines the extremely personal traces surrounding desires and expands the category to popular sympathy and social phenomena. The artist who collects fragments of desire seething in a capitalist society and develops them into various media - such as painting, textiles, performance, and ceramics - develops her own narrative using the constantly reproduced desires as a medium.
Eve Suh discovers stories from fairy tales, myths, and texts collected from everyday life, and expresses them in sculpture. Through this exhibition, the artist presents works that explore the anxiety and sleeplessness that reside within him, and the liberation from them.
Rondi Park examines the extremely personal traces surrounding desires and expands the category to popular sympathy and social phenomena. The artist who collects fragments of desire seething in a capitalist society and develops them into various media - such as painting, textiles, performance, and ceramics - develops her own narrative using the constantly reproduced desires as a medium.