Lee Anon visualizes quiet emotional states and subtle presence through recurring depictions of white albino animals in her paintings. These creatures often appear resting beneath trees, serving as emotional anchors within spaces that suggest stillness and introspection.

In this exhibition, the animals shift from forested surroundings to the secluded interior of a cave. This spatial transition reflects a deeper inward turn toward emotion, perception, and recovery. The cave emerges as a place of quiet separation from the world, where emotions can be reordered and inner strength quietly restored.